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At that time, I was the only gay Asian rigger in the rope community, and there was one other gay rigger. Community of artist and writers; stories, galleries, videos depicting strong muscular handsome tortured and abused. Japanese Gay Master Based in Tokyo.

What was it like for you, performing on stage, representing the gay Asian community? Gombé is deeply committed to mastering the art of Kinbaku, drawing inspiration predominantly from the Naka style while gradually developing his own distinctive approach in Shibari.

Best of bound gagged Japanese by green1 • Playlist • 17 videos •views. The experience was amazing! Did you know of any other gay Asian riggers in your local community that could inspire or mentor you? But in the mainstream rope community, from this rigger's perspective, there is little to no visibility in San Francisco.

The answer to the question of lack of representation is no doubt complex. We had a good chat at the booth, and he'd mentioned that he was the "First gay Asian duo team to perform at Folsom Street Fair. I teamed up with a local out gay Asian, who happened to be a switch in rope.

That lack of representation was a major factor in my decision to perform at the Folsom Street Fair 40th anniversary in San Francisco. What was it that asian you feel that you "Needed" to perform at Folsom? Major contributors: garyro, amalaric, dboss, dbeverly.

Nobody could answer the gag, except to say that there is a Rope Burn monthly at Transform, plus a people of colour monthly rope gathering at Vox Body studio. In the spring ofI was intrigued and inspired by a Shibari rope bondage demonstration by the proprietor of The Space 2.

Gombé specializes in Kinbaku, the art of Japanese rope bondage. Looking around the fair, I'd say that there are so many communities represented here — not gay the people visiting who are clearly enjoying their best selves and expressing their sexual and gender freedombut also the people who are exhibiting, like us here at the Recon booth, and a lot of the other kink vendors.

I gained my first seven months of rope skills from group classes at The Space 2. As far as I can determine, our act was the first gay Asian male duo team to ever perform on the Folsom bondage stage! Back then, it was the local Shibari school in Vancouver.

Four years of practising and perfecting my skills in Shibari rope bondage have prepared me to reach out to other rope communities around the world, starting with Toronto and San Francisco.

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With this fantastic technique, his aim is to reach the depths of your inner self. I was immediately inspired to help improve representation of men of colour tying men within the rope community, locally and even worldwide. But the feeling is still that there's a lack of representation being more prominently featured at the fair?

The Folsom Street Fair is always described as a completely inclusive event experience by the fair's visitors. And throughout the pandemic I was so lucky to have my wonderful mentors on IG kindred. The models' responses and the fluidity of the rope handling convinced me to join the rope community and learn Shibari.

How did you get into Shibari? In AugustI began taking group lessons at The Space 2. It was great to see more female riggers in San Francisco than in Vancouver, but there was a lack of men tying men within the mainstream rope scene, especially Indigenous, Black, Asian and other people of colour from a rigger perspective.

Chrismorpher92 on DeviantArt The latest posts from @BoysTied. I met some local riggers, switches, and rope models, and asked them why, with so many gay Asians in San Francisco, some of whom are doing great rope bondage, there is such a lack of representation of men of colour tying on the bondage stage at Folsom Street Fair, one of the biggest kink stages in the world?